Vibraphonist, marimbist, improviser and composer Patricia Brennan “has been widely feted as one of the instrument’s newer leaders.”  observed The New York City Jazz Record.  She inherited a deep love and appreciation for musical tradition from both parents, as well as being exposed to the musical richness of her native Port of Veracruz. She started studying music at 4 years old, playing latin percussion along salsa records with her father and listening to Jimi Hendrix and Led Zeppelin records with her mother. Also, around the same age, she started playing piano, influenced by her grandmother who was a concert pianist.

At the age of 17, Patricia was selected from musicians all over the Americas to be part of the Youth Orchestra of the Americas. During this time, she toured every country in the Americas and performed with renowned musicians such as Yo-Yo Ma and Paquito D’Rivera. Before moving to the U. S., Patricia was already performing with the top symphony orchestras in Mexico, such as Xalapa Symphony Orchestra and Mineria Symphony Orchestra. Also, she had already won several awards on marimba competitions and young artist competitions in Mexico and abroad and was featured in the “Líderes Mexicanos” magazine in 2003. She was accepted at the prestigious Curtis Institute of Music in Philadelphia, where she was able to perform alongside high caliber musicians from all over the world and conductors such as Simon Rattle and Charles Dutoit. She also performed with the prestigious Philadelphia Orchestra and other acclaimed new music groups such as members from Eight Blackbird.

Patricia’s search for freedom in her musical expression led her to find her voice through the vibraphone and mallet percussion in improvisational music and composition.
The New York Times observed, “Brennan has recently started to make her presence known on the New York avant-garde, working with such prominent bandleaders as Matt Mitchell and Michael Formanek.”  Patricia’s extensive sidewoman work includes the Grammy nominated John Hollenbeck Large Ensemble, Michael Formanek Ensemble Kolossus, Matt Mitchell’s Phalanx Ambassadors, the Webber/Morris Big Band, Tomas Fujiwara’s 7 Poets Trio, Mary Halvorson’s Amaryllis, amongst other groups and collectives.  She has also collaborated with pianist Vijay Iyer as a member of Blind Spot with writer Teju Cole, his  large ensemble project Open City and several small ensemble performances along with renowned musicians including bassist Reggie Workman and trumpeter Wadada Leo Smith.  Patricia’s own projects include the solo project MAQUISHTI, MOCH – a collaborative duo with percussionist, drummer and turntablist Noel Brennan (DJ Arktureye), and MORE TOUCH – a quartet with a quite unusual instrumentation: mallet percussion, percussion, drums, and bass.

Patricia has performed in venues such as Newport Jazz Festival, SF JAZZ, and Carnegie Hall, as well as international venues such as Wiener Konzerthaus in Vienna, Austria, Palacio de Bellas Artes in Mexico City and Teatro Colón in Buenos Aires, Argentina. She has also appeared on National Television, Public Radio, and the BBC radio show “Freeness” hosted by Corey Mwamba.
Patricia has appeared on numerous recordings from classical to improvised music, including an ECM recording with Michael Formanek Ensemble Kolossus called “The Distance” and a world premiere recording with the Curtis Symphony Orchestra and Christoph Eschenbach on Ondine Records.  See Projects + Discography for full catalog.  Patricia’s acclaimed debut solo album “Maquishti”, released on Valley of Search, was included on The New York Times 10 Best Jazz Albums of 2021.  Patricia’s latest recording project “More Touch”, a versatile quartet, is expected to be released November 2022 on Pyroclastic Records.

Patricia Brennan is a Valley of Search artist, Pyroclastic Records artist,  a BlueHaus Mallets artist, an Audeze artist.  Patricia is currently faculty at the New School for Jazz and Contemporary Music and at the Jazz Studies program at NYU Steinhardt.